
For a theatre conceptualised by both artists and architects, constructed of Italian marble, white granite and oak paneling, it is not suprising that a red velvet stage curtain would not suffice. In 2010 Californian textile-artist Pae White was commissioned, following an international competition, to design a closing screen for the Oslo Opera House. The result: ‘Metafoil’, a mind-bending tapestry, measuring 23 metres by 11 metres, woven by a digital loom, programmed with scanned images of crumpled aluminum. Utilising the captive gaze of the audience, what appears to be a wall of metal is actually a flat surface of tightly woven cotton, wool and polyester fibres. (more…)